Saturday, March 1, 2008

Beatles "Revolution": Review for "Across the Universe" Soundtrack


Across the Universe is a complicated film to reccomend as is the soundtrack. The film's entire soundtrack is comprised of of Beatles covers by the cast, with cameos by U2 members, Bono and the Edge, Joe Cocker, Eddie Izzrd, and Selma Hayek.

The first song of the film is "Girl" which is very haunting. Jim Sturgess, though a relative newcomer to film, was in a rockband, and his Jude sounds originsl and new, yet at the same time somewhat old school Liverpool/Beatles style. His "Something", "Across the Universe", "Strawberry Fields Forever", and "All My Loving" are much in the same way. But his version of "All You Need is Love" is the real showstopper for him. The new version retain the formula, but adds a new elementand at first, lacks the annoying "dum-na-num-na-num" after each "all you need is loev". But once the pattern is added, in an electric guitar, it sounds much cooler than the original.

Evan Rachel Wood's Lucy is as girly as one would be in the '60s, but her voice gets stronger as her hcharacter gets more radicall. Her version of "Hold Me Tight" is cute and almost bubblegum like, yet has a Beatles-esqe class to it. Her rendition of "If I Fell" is heartbreaking and very sad and beautiful. The new version of "It Won't Be Long"is very peppy. Overall, she's very good.

Joe Andersonplays Max, whose voice has a Beatles like tone. His covers of "Happiness Is a Warm Gun" and "I Want You" are very well done and his version of "Hey Jude" is fresh and new and has a sound that is somewhatlike an homageto the original but still sounds new.

Dana Fuchs plays Sadie and her voice is very reminiscent of Janice Joplin (which is kind of a coincedence, due to her starring in a stage biography of the rocker called Love, Janice). Her "Why Don't Do It the road?", "Oh! Darling", "Dear Prudence", and "Helter Skelter" are really good, my favorite being "Oh! Darling".

Martin Luther McCoy plays Jo Jo, and his rendition of "While My Guitar Gently Weeps" is enough to make you weep. A smooth rock and roll sound with a mix of saucy R&B in it.

T.V.Carpio plays shy Prudence and she sings pretty well, if soft, version of "I Want to Hold Yor Hand", which, in my opinion, is better than the original. I always thought it was a corny song anyways, but Prudence's shyness in the song and the film make it a little melodramatic.

Guest singer Joe Cocker, famous for his rendition of a few Beatles songs, is back as he sings a raspy hard core version of "Come Together". A bold new sound to an already brave song that broke the boundries of cool.

Eddie Izzard (TV's The Riches) speaks the lyrics to "Being for the Benifit of Mr. Kite". Where they got the original lyrics...a circus poster. I never cared for the original and this version is even worse, it sounds as if he is add libbing the entire thing and sounds very odd and discombobulated.

Bono and the Edge leave their mark on "I Am the Walrus", which is perfect for them, a nice mixed version of a radical classic. His "Lucy in the Sky with Diamonds" is okay, but it doesn't match the original. Almost none of these beat the originals. A few come close, but the Beatles made some of the greatest songs in history, and no one can beat someone who has already won the game... a long time ago.
Grade: A-

Thursday, February 28, 2008

Best of the 2008 Oscars

Best Picture
No Country for Old Men

Best Director
Joel and Ethan Coen, No Country for Old Men

Best Actor
Daniel Day-Lewis, There Will Be Blood

Best Actress
Marion Cotillard, La Vie en Rose

Best Supporting Actor
Javier Bardem, No Country for Old Men

Best Supporting Actress
Tilda Swinton, Michael Clayton

Best Animated Feature
Ratatouille

Sunday, February 24, 2008

Winners Circle:The Winners of the 80th Annual Academy Awards

Best Costume Design
Alexandra Byrne, Elizabeth: The Golden Age

Best Animated Feature
Ratatouille, Brad Bird

Best Makeup
La Vie en Rose, Didier Lavergne and Jan Archibald

Best Visual Effects
The Golden Compass, Michael Fink, Bill Westenhofer, Ben Moriss, Trevor Wood

Best Art Direction
Sweeney Todd, Art Direction: Dante Feretti, Set Decoration: Francesca Lo Schiavo

Best Supporting Actor
Javier Bardem, No Country for Old Men

Best Live Action Short Film
Le Mozart de Pickpockets (The Mozart of Pickpockets), Philippe Pollet-Villard

Best Animated Short Film
Peter & the Wolf, Suzie Templeton and Hugh Welchman

Best Supporting Actress
Tilda Swinton, Michael Clayton

Best Adapted Screenplay
No Country for Old Men, Joel & Ethan Coen

Best Sound Editing
The Bourne Ultimatum, Karen Baker & Per Hallberg

Best Sound Mixing
The Bourne Ultimatum, Scott Millan, David Parker, Kirk Francis

Best Actress
Marion Cotillard, La Vie en Rose

Best Film Editing
The Bourne Ultimatum, Christopher Rouse

Best Foreign Language Film
The Counterfeiters, Austria

Best Original Song
"Falling Slowly" from Once, Glen Hansard & Marketa Irglova

Best Cinematography
There Will Be Blood, Robert Elswit

Best Original Score
Atonement, Dario Marianelli

Best Documentary Short Subject
Freeheld, Cynthia Wade & Venessa Roth

Best Documantary Feature
Taxi to the Dark Side, Alex Gibney & Eva Orner

Best Original Screenplay
Juno, Diablo Cody

Best Actor
Daniel Day-Lewis, There Will Be Blood

Best Director
Joel & Ethan Coen, No Country for Old Men

Best Picture of the Year
No Country for Old Men

Creep Show: Review for "Vacancy"


The thriller Vacancy is your standard issue slasher film, but it's better. Amy (Kate Beckinsale) and David (Luke Wilson) are on the verge of divorce. They've recently come from their parents' wedding annivarsary when they need to stop at a strange gas station to get some help. The guy who "fixes" their car makes it worse and it breaks down a mile or so down the road. They decide to stay the night at a hotel. While watching some of the videos, they see people getting killed in a low-budget horror flick way, but at the same time rather ghastly. They find out that people were killed in the same room. These sickos were watching them all along, like a sick peep show. But these victims are smarter and create a plan to get away. What follows is a cat and mouse game of high tension. This film was excellently writton, directed, and acted, though the ending was horrible. Very scary and exciting.
Grade: B+