Tuesday, April 29, 2008
Return of the "King"?
Sunday, April 20, 2008
The Music Man: Capsule Review for "Walk Hard: The Dewey Cox Story" DVD

An Inconvinient Truth: Review for "Dr. Seuss's Horton Hears a Who"

Grade: A-
Tuesday, April 8, 2008
Cutthroat Competition: Review for "Sweeney Todd" 2-Disc DVD

Film: A-
Extras: B+
Overall: A-
Friday, April 4, 2008
It's Just Buzz: Review for "Bee Movie"

I'm very sorry to say this, all you Seinfeld fans, but Jerry Seinfelds voice is boring. And it is this which caused me to dislike the filme Bee Movie. Okay, fine, I didn't dislike it, I just thought it could be btter. Barry Benson (Seinfeld) is a happy bee getting to get a job in his enourmous hive. He is shocked to find out that when you take a job, you keep it for the rest of your lie, with no days off. He decides o go out into the world to find new things. He then meets Renee Zellweger's waxy looking character, Venessa, a happy-go-lucky florist and defender of all God's creatures. Barry becomes smitten with her and they embark on tthe most awkward "relationship" ever. When he sees that Ray Liotta has his own honey company, Barry sues the "human race" for stealing their honey. What follows are several puns and guest witnesses (including Sting, being interrrogated by a bee on the use of his stage name). It is an odd premise for a film which seems too self concious, as if it's trying to make as many corny puns as possible while maintaining a script. The hypocritical part, in which Barry wins the case and the bees do nothing, thus making the flowers in the world wilt and die, is rather stupid. It seems the whole film was wasted on the case against the humans, while only in the last few minutes, Barry realises his folly. The film is cute enough, but the constant use of "b" and "bee" is irksome to the max.
Grade: (you guessed it) B
Sunday, March 16, 2008
Coen to the Midwest: Review for "Fargo"
The film Fargo is supposedly based on a true story. The events that are featured in the film took place in 1987. But those who have seen the Coen's work of art and believe this were fooled! Joel and Ethan Coen were inspired by true events that did not take place in Minnesota or North Dakota.
Poor Mr. Lundergard (a brilliant William H. Macy) is down on his luck and need money. How much? $750,000 to clear his debts. So he asks a couple of hit men (Steve Buscemi and Peter Stormare) to kidnap his wife for a ransom of $1 million. He hopes that his wife's father will give the money to them, because he's rich. But what follows are a string of accidental and intentional deaths. Margery Gunderson (a hilarious and Oscar winning Frances McDormand) is on the case, while she is pregnant, and tries to track down these ruthless killers. The film is very dark, but has some light comedy. It's a dark sort of comedy, but funny nevertheless. The violence is brutal (woodchippers, anyone?), the comedy light hearted and the originality unmistakable. Frances McDormand is great, with her sing songy accent and her smile. One of the greatest films of all time. I preferred this one to the Coen's other film No Country for Old Men. Is Fargo a good movie? Yeah, you betcha!
Grade: A
Saturday, March 15, 2008
West Side Gory: Review for "No Country for Old Men"

Out in the desolate west is where many great films have taken place. The Coen brothers, Joel and Ethan, (winner of Best Director) are among the great American filmmakers. Their snarky noir to their screwball comedy have earned them prestige and respect and also a few Oscars. I've never cared for films that take place in the barren desert. They tend to be too formulaic. That's where you have the Coens take an overused setting and make it new and interesting. Their 2008 Academy Award winner for Best Picture, No Country for Old Men is a refreshing look out west. Josh Brolin (Grindhouse) plays a man who finds dead bodies in the desert, with a briefcase of two million dollars and a truck filled with heroin. He tries to escape with the money, but on his trail is a hitman with the world's worst haircut (Best Supporting Actor winner Javier Bardem). The Coens definitely produce, write, and direct the Thinking Man's film, due to he fact it's a bad idea to doze off through one of their films, otherwise, you might miss something very important. Many critics have said this films is a western horror movie, and in a way, they're right. You have your maniac, your refugee, your hero, and your ultra-violence. The violence seems brutal, from explosions to shots...in the head. Javier's hitman is one of the most original portrayals in film history. He's quick, slick, and keeps his cool, all with a very misfortunate hairstyle. Tommy Lee Jones (Academy Award nominee for In the Valley of Elah) is the good guy, trying to track down the killer and find who stole the money. The pursuit is heart racing, the emotionless face of the causes fear hitman as he walks closer to the door with his silenced gun. He's very eerie, and his raspy voice intensifies it. He is one of the most evil characters ever to appear on screen. He runs shivers up your spine. You may find that "Call it, friend-o." may be the most popular line of 2007. There's a little of he Coen's familiar humor hidden in the film, one liners and awkward moments. Joel and Ethan adapted the script from the novel by Cormac McCarthy. The great script and the wonderful storytelling is clear as day in this western thriller. The desolate wasteland where film takes place is haunting, as if you are alone and no one can help you. If you are trapped, laying in the sand covered in blood, and a man with a weird haircut calls you friend-o, you're dead meat. Joel and Ethan tell this story in a flawless style (and won an Oscar for Best Adapted Screenplay), and it is done it gorgeous detail. The ending has been causing controversy. Audiences have felt cheated. You are left with a cliff hanger, not as if it were to be made into a sequel, but just left on the edge of your seat, wanting more, but the film leaves you hanging. I did not care for the ending. I can not appreciate it. Other than that, No Country is a masterwork. A brutal, yet glorious film.
Grade: A